Showing posts with label Chynna Clugston. Show all posts
Showing posts with label Chynna Clugston. Show all posts

Friday, November 6, 2015

Saved by the Bell #8 ANNOTATED

It's time to finally annotate the last of 4 episodes of Saved by the Bell that I drew in 2014, all with covers by the amazing Chynna Clugston. These stories were published for digital sale on Amazon in 2014, and the trade paperback was published summer 2015. Buy it! 


On to "Ski Trip!"

PAGE 1 One of Kelly's text books is titled "Hi" as I greet you, the reader. Once again Zack sports a polo with a sperm whale logo applique on it.

PAGE 3 Panel 4 Indie gay boy Jeff is in the background.

PAGE 4 I love the way this page turned out...the perspective, Zack looks good in all panels, and of course, I got to draw one of the coveted jokes—the giant cell phone. 

PAGE 6 Mr. Moody was fun to draw, though I doubted the realism of a mall shop owner staffing the floor. Anything's possible in Bayside, I guess. In the mall walks the yet-named large gal that often appears as an extra in my pages. Panel 6 I use my "classic" explosion effect again.

PAGE 7 Slater sports a the Tim Fish magnet T-shirt. Why don't you own one yet???

PAGE 8 Was so much fun to draw. Minimal backgrounds, and very action-y. Fun, fun.

PAGE 9 Awesome ski-on cameo from ARCHE-LADY as Mr. Moody's daughter.  

PAGE 10 Disappointing color rendering of Mr. Belding's ski suit. The photo reference shared with me was from a '90s ski catalog, and the suit was really garish. White, yellow, bubble gum pink and powder puff blue. But the published colors are gray and yellow. 

PAGE 12 Was really challenging to draw. Due to the web publish format, there is a hard break at the half page mark. So, no art can cross that zone. Generally, I've made it a fun exercise to make the page work with symmetry. But wow, this was tough. In the first half, I had to show so many characters, including the ski patrol guys to make the joke work later. And save space for lots of dialog and (in theory) movement. In the second half, I had to execute a complex slapstick moment. This really could have been a page and a half (and pages 9-10 could have only been a page and a half, but it would have been a shame to break up the lodge scene). Panel 7 is definitely a Chynna Clugston pastiche moment.

Thus volume 1 draws to a close. It was a really fun experience, and I thank Greg for pointing me to the folks at Lionforge/Roar. Adam was a great editor to work with, generally pushing me to a better place; Joelle's scripts were spot on in tone; and it's such a thrill to be side by side with Chynna in a TPB.

Looking forward to volume 2! 

Wednesday, November 12, 2014

Saved by the Bell #6 ANNOTATED

In May or so, I worked on SAVED BY THE BELL #6. I enjoyed drawing this story, and I hit my stride with some of the panel layouts. Of course, enjoy the cover by Chynna Clugston here, and buy the e-edition on Amazon!

The e-format drives the page layout, so while it's written as a 12 page story, it's really 12 2-half pages or 24 half pages. It can be a challenge maneuvering the script into the half page format (would be a no brainer for me if the 12 page script allowed freedom to be drawn as a whole page) I'm probably not describing this well. Too little or too much coffee maybe.

PAGE 1 

Sorely lacking for my enjoyment are splash pages or half-splashes. So for this story, I significantly altered the script affording me the space for a half-splash. I love panel 1! The girl with the blue hair is wearing the "Hippie Daisy" T-shirt I designed while hanging a poster reading "art by Tim Fish." Zack is wearing the "Johnny's Magnet" T-shirt I designed. Jeffrey, the scruffy indie boy I worked into the backgrounds of issues 2 and 4 appears embracing his BF or maybe just a hookup. Tough to say. Panel 4 was really fun to draw.

PAGE 2

The script places Kelly in audition lines for the "Pop Diva" TV show, so lots of familiar faces worked into the crowds throughout the story. 

Panel 1:
  • Archie, Betty, Veronica (obscured by the letterer's placement of text)
  • Jughead
Panel 2:
  • Andrea Thomas/Isis
  • Kathy a.k.a. Pumpkin Head, a.k.a. PH (woman I work with)
  • Indie Uncle Sam
  • Human Bomb
  • Phantom Lady
Panel 5:
  • Lilandra
In panel 4, we meet two producers—the villains of the story. The primary villain I drew after my most recent ex. The secondary villain, I drew after his then BF. After I drew this, but before it was published, they broke up.

PAGE 5 Panel 1 we see recurring background character, a rather large gal, drawn after a colleague of mine. We also see a poster for a pub I frequent, Tavern at the End of the World. Panel 2 is Jeffrey again, and panel 5 we see Leslie from issue #4.

PAGE 6 Screech wears a robot T I designed for my office's student employees (my day job is at MIT). In panel 5 we see the iconic single pedestal Planner Group desk designed by Paul McCobb.

PAGE 7 Zack's polos drawn by me are usually labelled with the mark you see here...kinda looks like a whale. Or a sperm. Not sure. We also get to see the foil label in the desk drawer in panel 2; panel 6 I re-use my explosion effect I've blogged about before.

PAGE 8 turned out alright, except Kelly's head in panel 4 bothers me...should be a little over to the right. Looks like she broke her neck. Oops.

PAGE 9 catches a glimpse of Jeffrey eating some fries.

PAGE 11 went through significant edits in the pencilling and layout phase. Given the half-page publishing format it could have benefited from being busted out over 2 pages. But sometimes there are easy pages to draw and sometimes tough ones! Since my editor generally gives awesome quality and helpful feedback, I think the page turned out well.

Panel 1:
  • Fred from SCOOBY-DOO
  •  The Wizard from my Arche-Lady series
  • Black Canary
Panel 2:
  • Arche-Lady and Doctor Glax
  • Lyle Norg/Invisible Kid
Panel 3:
  • Johnny Magnet from my Arche-Lady series
Panel 4:
  • Black Canary again
Panel 5:
  • woman dressed as Tigra
Ok, that's all for May! What will June bring?—time will tell!





Monday, September 8, 2014

Saved by the Bell #4 ANNOTATED


I was originally slated to draw every third issue; but not long after I completed the art for "Fashion Don't," I was informed it would be used as issue 2, and I was asked if I could draw issue 4 post haste. Ask any fellow I've dated—I never say "no" so away we went consuming the better part of February.

Enjoy the cover and stock art from Chynna, and settle back for "Screech-a-Date."

As often as I could in this story, I tried to create visual symmetry with the panel layout. I thook the challenge to myself very seriously. You won't get a sense of it in digital, but hopefully it will be very apparent when the stories are in print. 

PAGE 1, panel 3 we have a poster for the Brontë sisters—all three! You know me, I love their depressing novels...Jane Eyre, Tennant of Wildfell Hall, Wuthering Heights, all among my favs.

PAGE 2, Slater is wearing the t-shirt I designed and available on my website "Haifischbaby" though it's colored here as light blue.

PAGE 2, panel 1 features the indie gay boy, Jeff, that I drew into the backgrounds of issue 2 at the left of the panel. At the right of the panel, we see Cannonball, Danielle Moonstar, Magma, and some other girl I intended to represent as The New Mutants.

PAGE 3, panel 1 we have a poster for a big fight, Northstar vs. Kyle, Marvel's out gay couple I drew in Nation X.

PAGE 4, I added Lisa's unscripted stretches to add interest for me.

PAGE 4, panel 6, the PSA "check yourself" was inspired by the girls in my high school graduating class. What they said was a lot nastier, so I cleaned it up for Bayside.

PAGE 5, panel 4 I got to use my favorite explosion effect that has been in use since 1998.

PAGE 5, panel 6 was quite a controversy—you see draft 3 published. I was really happy with the first version, but it didn't capture the spirit of the joke. Ultimately I downloaded this app developed by a university in Vienna that maps combined expressions. I drew it just as the app shows but the result has a Kelly that looked old and hag-like. No one was happy with that, so on to draft 3, a wildly exaggerated goofy expression. Good enough.

PAGE 6, etc. Originally, the Max was not going to be styled after the TV show's set. After I submitted inks, there was a change of plans. So, I had to draw new backgrounds, digitally wipe out the existing backgrounds and layer in the new. 

I love the way PAGE 7 turned out! I did a nice job on the trees and particularly like panel 5.

Nice perspective work on PAGE 8.

PAGE 9, though in the background, Jeff's reading and stretching is far more interesting than the conversation in the foreground. Also, we see a flyer for Jimmy James' trivia at the Precinct Bar, Tuesday nights. Just after I submitted inks, Precinct shut down for renovations. When it re-opened 6 months later as the upscale hipster dive bar Brass, they eliminated the trivia night.

PAGE 10, panel 6. I had suggested placement for the word balloons which never came to be. So the pacing feels off to me, and there is a lot of white space.

PAGE 11, ha, Van Gogh and You.  Panels 5 and 6 I drew as scripted, but then everyone realized that the joke needed either Lisa worked into panel 5 or to be edited. As it was already colored and I was leaving on a business trip, I wasn't game to re-draw it. So it's an edited joke.

PAGE 12, panel 3, Jeff is wearing a beaver bullet T-shirt also available on my site. Panel 4, random dude wearing another of my Ts, Johnny's Magnet, sadly colored in green.

Overall, a better output from me than #2...fewer smudges to correct, fewer edits to make, felt like I was back in the groove! Onward!

Sunday, July 27, 2014

Saved by the Bell #2 ANNOTATED

I finished inking this New Year's Day, and make some edits to the inks once the colors were complete. Lots of consistency errors, such as Lisa would be wearing some jewelry on page 2, but not page 3, etc. 

It had been a while since I had drawn a comic, and I was definitely rusty, despite my warm up period. Inking especially, was a smudgy experience. Lots of correction fluid on the pages of Saved by the Bell #2!

But here's an inside look at the issue. You'll have to buy it to follow along, which I hope you did on March 4!

The cover is by Chynna Clugston. She draws the odd-numbered issues of the series, and the covers, as well as setting the character style guide. She is amazing, and I am honored to be such a close part of a project that she's on. I've been a fan of her solo series Blue Monday for a long time.

PAGE 1

Lisa's outfits here and the whole issue, are ripped from the pages of Seventeen magazine. I hadn't ever looked at Seventeen!

Shout-outs on the posters hanging to Marvel, my series Cavalcade of Boys, and an ad for French Club as I've studied French (poorly) for many years. Colorist got the flag wrong though.

PAGE 2

Shout-out to my OGN Strugglers, though obstructed by the letterer.

PAGE 4

Ha, Jessie's book is titled, Subject.

PAGE 5

Had to research random teachers that appeared on the show for this page.

Panel 2, first appearance of, let's call him Jeff, the gay indie boy that is a recurring background character in my art.

Panel 4, I forget what this was supposed to be a shout-out to.

Panel 5, Jeff panel-bombing again.

PAGE 6

At first, there was no style set for the MAX. By the end of the issue, it was decided to go with the TV show set, as if anyone would hang out there present day. But it was too late to change for this issue.

PAGE 7

Possibly the only full page I really like of this issue.

PAGE 8

Panel 1 is nice. My Co-worker Rosheen, a huge SBTB fan, is there, as is my friend Adam, who lent me some pens for inking this. I couldn't find them locally, couldn't wait for an online order, yet I had a deadline. Thanks, Adam!

PAGE 9

Jeff panel-bombs panel 2.

PAGE 10—awful!

PAGE 11

Fashion channel's offices utilize Saarinen Tulip Chairs, designed in 1953.

Panel 4, poster for the Jane Austen Society.

PAGE 12

Panel 3, Jeff's reading in the background.